Rose S (2024, forthcoming) ‘Drowning in the Weight of Your Expectations: Gestural interactions and gender narratives in computer music’, Chroma: Journal of the Australasian Computer Music Association, 39(2):13.
Rose S (2023) ‘Songs in Isolation: Social Commentary and Contagion, COVID-19, and Creative Practice in Electronic Music’, Chroma: Journal of the Australasian Computer Music Association, 39(2):13.
Rose, S. (2023). Ode to My Frayed Nerves: Exploring Physical Trauma through Gestural Control. Chroma, 39(1). (forthcoming)
Rose, S. (2021). Push and Pull: Creative Practices Creating Technology. Riffs Journal, 4(1), 54–71.
Conference Papers and Presentations
Rose S (2024) ‘Externalising Psychological Space through Spatial Music Using Wearable Gestural Technology and Voice’ Presented at SOUND/IMAGE2024, University of Greenwich, 8-10 November, London, UK.
Rose S (2024) ‘Drowning in the Weight of Your Expectations: Gestural interactions and gender narratives in computer music’, Presented at ‘Futurity’, Australasian Computer Music Conference, 22-24 October, Melbourne, AU.
Rose S (2024) ‘Enough: a radically vulnerable composition approach for gesturally mediated human voice’ Presented at ‘Sound in Motion’, International Computer Music Conference, 7-13 July, Seoul, South Korea.
Rose S (2023) ‘Songs in Isolation: Social Commentary and Contagion, COVID-19, and Creative Practice in Electronic Music’, Presented at ‘ElectroMUSE’, Australasian Computer Music Conference, 10-13 October, Sydney, AU.
Rose, S. (2023) ‘CALM: Mapping yoga practice for gestural control to externalise traumatic experiences’ Presented at ‘Frugal Music’, New Interfaces for Music Expression Conference, 28 May to 3 June, Mexico City, Mexico.
Rose, S (2023) CALM: Mapping yoga practice for gestural control to externalise traumatic experiences, Frugal Music Innovation, New Interfaces for Musical Expresssion, Mexico City, Mexico. (forthcoming)
Rose, S. (2021) Ode to My Frayed Nerves: Exploring Physical Trauma through Gestural Control in Surround Sound Environments, Connections, Australasian Computer Music Association Conference, Australian Institute of Music (Online), Melbourne/Sydney; Australia
Rose, S. (2020) Four Approaches to Graphic Notation of Quadrophonic Electroacoustic Music and Extended Vocal Techniques, Inclusion, Australasian Computer Music Association Conference, ANU (Online), Canberra; Australia
Unknowing, C & Rose, S. (2020) P-Bow: the profanity bow for use in Ambisonic and Surround audio environments, Inclusion, Australasian Computer Music Association Conference, ANU (Online), Canberra; Australia
Rose, S. (2019) 2019 Vowels in Retrograde - Ethnomusicology Meets Practice-Based Research, Musical Intersections, New Zealand Musicological Society, Auckland; NZ
Other
Rose, S. (Jan 2020) Smoke, graphic poem, Burning House Press, curated by ReVerse Butcher, cover photo by Kylie Supski
Rose, S. (2019) Vowels in Retrograde: Exploring Physical and Non-Physical Environments through Extended Vocal Techniques [Masters thesis, Box Hill Institute], Melbourne; Australia.